I began with a drawing based on photos of a vacation home on a lake in Maine.
I had the original drawing enlarged, then put the enlargement on a light table and traced the different components on Wonder Under on the reverse side of the drawing. I then chose fabrics for the house, trees, etc., and ironed the Wonder Under-ed components on to the backs of these fabrics. After cutting out these components, I reassembled the "puzzle pieces" and ironed them down to create the picture.
I had the original drawing enlarged, then put the enlargement on a light table and traced the different components on Wonder Under on the reverse side of the drawing. I then chose fabrics for the house, trees, etc., and ironed the Wonder Under-ed components on to the backs of these fabrics. After cutting out these components, I reassembled the "puzzle pieces" and ironed them down to create the picture.
All pieces were stitched down with a zig-zag stitch, some textile paints were used for shading, flowers were hand embroidered, and a linen border was added. It felt so good to finish this project and to know that my client was pleased!!!
I've done many house portraits over the years, and doing this one reminded me of how much I enjoy the process. The main drawback, as with any handwork, is that it is nearly impossible to charge for the many hours that go into such a piece of work! It's an artisan's dilemma!
2 comments:
Judy this is amazing!
Judy, We must be kindred spirits because I also make fabric house portraits. My mother started it as she made pillow portraits of her house in Massachusetts, and then Vermont, and then my house and my brother's houses. I have been working on my best friends house all summer. You are right, it takes forever. I appliquéd without fusing, oh dear. I can certainly get some tips from you.
Post a Comment